J.M.W. Turner
English Romantic Painter, 1775-1851 landscape master landscape master .British painter and printmaker. He dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, first as a topographical watercolourist and then within a few years as a painter of Sublime and historical landscapes.
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J.M.W. Turner Venice From the porch of Madonna della salute oil painting


Venice From the porch of Madonna della salute
mk230 ra.1835 Oil on canvas 91.4x122cm
Painting ID::  53387 		J.M.W. Turner
Venice From the porch of Madonna della salute
mk230 ra.1835 Oil on canvas 91.4x122cm
   
   
     
J.M.W. Turner Flint Castle,North Wales oil painting


Flint Castle,North Wales
mk230 ca.1835 Watercolour 26.5x39.1cm
Painting ID::  53388 		J.M.W. Turner
Flint Castle,North Wales
mk230 ca.1835 Watercolour 26.5x39.1cm
   
   
     
J.M.W. Turner The Fighting Temeraire tugged to her last Berth to be broken up 1838 oil painting


The Fighting Temeraire tugged to her last Berth to be broken up 1838
mk230 Oil on canvas ra.1839 Oil on canvas 91x122cm
Painting ID::  53389 		J.M.W. Turner
The Fighting Temeraire tugged to her last Berth to be broken up 1838
mk230 Oil on canvas ra.1839 Oil on canvas 91x122cm
   
   
     
J.M.W. Turner Agrippina landing with the Ashes of Germanicus oil painting


Agrippina landing with the Ashes of Germanicus
mk230 ra.1839 Oil on canvas 91.5x122cm
Painting ID::  53390 		J.M.W. Turner
Agrippina landing with the Ashes of Germanicus
mk230 ra.1839 Oil on canvas 91.5x122cm
   
   
     
J.M.W. Turner Slavers throwing overboard the Dead and Dying oil painting


Slavers throwing overboard the Dead and Dying
mk230 ra.1840 Oil on canvas 91x138cm
Painting ID::  53391 		J.M.W. Turner
Slavers throwing overboard the Dead and Dying
mk230 ra.1840 Oil on canvas 91x138cm
   
   
     
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     J.M.W. Turner
     English Romantic Painter, 1775-1851 landscape master landscape master .British painter and printmaker. He dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, first as a topographical watercolourist and then within a few years as a painter of Sublime and historical landscapes.

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